Priced by the second of finished audio, never by the song.
Ten minutes of audio a month, to find out whether it can sing your name.
- 10 minutes of rendered audio a month
- Tracks up to 1 minute
- One render at a time
- One saved style persona
- Full commercial and broadcast rights
$190 a year, $38 saved
Two hours a month for one person, stems included.
- 2 hours of rendered audio a month
- Tracks up to 4 minutes
- Two renders at a time
- Stem export: vocals, drums, bass and the rest
- Full commercial and broadcast rights
- 1 seat
$490 a year, $98 saved
For a shop rather than a person: more of everything, and three seats.
- 6 hours of rendered audio a month
- Tracks up to 5 minutes
- Three renders at a time
- Stem export: vocals, drums, bass and the rest
- Full commercial and broadcast rights
- 3 seats
$990 a year, $198 saved
A signal's worth of imaging, and an API for the automation to call.
- 13 hours of rendered audio a month
- Tracks up to 5 minutes
- Four renders at a time
- Stem export: vocals, drums, bass and the rest
- Full commercial and broadcast rights
- Public API and keys
- 10 seats
$1990 a year, $398 saved
Several signals in one market, on one account and one bill.
- 28 hours of rendered audio a month
- Tracks up to 5 minutes
- Six renders at a time
- A station profile per signal, so a package never mixes call letters
- Stem export: vocals, drums, bass and the rest
- Full commercial and broadcast rights
- Public API and keys
- 20 seats
$2990 a year, $598 saved
Several markets, or an agency running call letters that are not its own.
- 45 hours of rendered audio a month
- Tracks up to 10 minutes
- Eight renders at a time
- Stem export: vocals, drums, bass and the rest
- Full commercial and broadcast rights
- Public API and keys
- 50 seats
Annual or on your own terms
For a group, a network or a rep firm: the terms are written, not picked.
- 150 hours of rendered audio a month, or whatever the deal says
- Tracks up to 15 minutes
- Sixteen renders at a time
- 250 seats
- Invoiced on your terms rather than on a card
- A written agreement, not this page's standard one
Everything the engine renders for you is yours to broadcast and to bill for, on every plan, including Free. Broadcast it, hand it to the advertiser it was made for and bill them for the work. No per-play fee, no reporting, nothing to clear with us afterwards. What the tiers sell is capacity: seconds, track length, renders at once, seats, stems and the API.
Prices are in USD, per workspace, per month. Nothing on this page is charged per seat or per song.
The plans are named for broadcasters because that is who they are sized and priced for, but nothing checks. A podcast network, a video house or an agency can buy Station and pays the same rate for the same second as the station it is named after. What you buy going up the ladder is allowance, single track length, renders at once and seats, and none of those is gated on what kind of work you make.
Station imaging is not one of the things you buy either. Saved station profiles and the matched packages cut from them are on every plan, Free included, because hearing your own call letters sung is the only way to judge whether any of this is worth paying for. What bounds the free tier is the allowance: 10 minutes is a package to try, not a package to run a station on.
Commercial rights are not one of the things you buy here. Every tier carries them, advertising included, and the free one is not an exception. Two earlier sentences in this spot said otherwise: that the free tier was evaluation only, and that the download said so when it handed you the file. The second was never true, there has never been wording on that control, and the first is now withdrawn.
An allowance resets with the billing period. Credit on a workspace is a different thing: money that offsets an invoice and never expires. It is deliberately not shown as one number with the allowance, because a workspace holding credit and no seconds still cannot render.
The whole price list.
Billed seconds per second of audio. Lyric conditioning plus a vocal decoder.
The reference point everything else is measured against.
Per second of the track it separates. One pass, however many parts.
Flat. No GPU runs, so it is charged to be visible rather than to be priced.
A very short sweeper still boots the pipeline and loads the checkpoint.
A sung second costs 1.25 seconds of your allowance and an instrumental second costs 1. Stem export costs 0.75 per second of the track it separates, and writing lyrics costs a flat 5 seconds. Every render is billed at least 5 seconds.
Those rates are the whole price list. There is no per song fee, no per seat fee and no separate charge for the jingle surfaces: an advertiser spot and a track somebody made for fun cost the same per second, because they cost the GPU the same.
The same allowance, in the units you actually press.
| Piece | Length | Costs | Free | Creator | Studio | Station | Cluster | Group | Enterprise |
|---|---|---|---|---|---|---|---|---|---|
Full length song Sung, at the Station plan's own ceiling on one track. A plan that will not render something this long shows a dash rather than a count. | 5:00 | 375s | - | - | 57 | 124 | 268 | 432 | 1,440 |
Shotgun ID Sung. The most played piece of audio a station owns. | :10 | 13s | 46 | 553 | 1,661 | 3,600 | 7,753 | 12,461 | 41,538 |
Instrumental bed No vocals, under a voice read or a video. It costs the reference rate rather than the sung one. | 1:00 | 60s | 10 | 120 | 360 | 780 | 1,680 | 2,700 | 9,000 |
Sweeper Sung, into a song or into the news. | :15 | 19s | 31 | 378 | 1,136 | 2,463 | 5,305 | 8,526 | 28,421 |
Client spot Sung. An advertiser's jingle at the workhorse length. | :30 | 38s | 15 | 189 | 568 | 1,231 | 2,652 | 4,263 | 14,210 |
Extend a track Continuing something already finished. The seconds here are the ones you added, because extending never re-charges the original. | :30 | 38s | 15 | 189 | 568 | 1,231 | 2,652 | 4,263 | 14,210 |
Stem export One separation pass over a finished track, however many parts come back. | :30 | 23s | - | 313 | 939 | 2,034 | 4,382 | 7,043 | 23,478 |
Write a lyric No GPU runs. A flat charge, so the cost is visible on the meter. | - | 5s | 120 | 1,440 | 4,320 | 9,360 | 20,160 | 32,400 | 108,000 |
A dash is a plan that cannot do that piece at all rather than one that cannot afford it: stem export is a paid capability, and a track longer than the plan's single track ceiling is refused before it costs anything. Mixing pieces spends the same allowance, so these columns are alternatives rather than a list of things you get.
Allowance, ceilings and rights, side by side.
| What | Free Free | Creator $19 | Studio $49 | Station $99 | Cluster $199 | Group $299 | Enterprise Custom |
|---|---|---|---|---|---|---|---|
Rendered audio a month The allowance, in seconds of finished audio. The unit everything else is measured in. | 10 minutes 600s | 2 hours 7,200s | 6 hours 21,600s | 13 hours 46,800s | 28 hours 100,800s | 45 hours 162,000s | 150 hours 540,000s |
Longest single track A ceiling on one render rather than on the month, and the clamp on the studio's length control. | 1:00 | 4:00 | 5:00 | 5:00 | 5:00 | 10:00 | 15:00 |
Renders at once A real GPU limit rather than a throttle: generation holds a card for the length of the render. | 1 | 2 | 3 | 4 | 6 | 8 | 16 |
Saved style personas A persona is a saved style recipe, not a cloned voice. | 1 | 10 | 20 | 40 | 80 | 200 | 1,000 |
Stem export Vocals, drums, bass and the rest, for when the bed has to go under live talent or a narration track. | Not on this plan | Included | Included | Included | Included | Included | Included |
Public API and keys Key minting in the console, so your own tool, or a station's playout system, can ask for a track itself. | Not on this plan | Not on this plan | Not on this plan | Included | Included | Included | Included |
Seats Members of the workspace, the owner included. | 1 | 1 | 3 | 10 | 20 | 50 | 250 |
The refusal happens before the engine is called, so a request that would go over does not render, does not store anything and does not cost you a second. A render that fails on our side is refunded rather than kept, because a failure produced nothing you can put on air.