Priced by the second of finished audio, never by the song.
Ten minutes of audio a month, to find out whether it can sing your name.
- 10 minutes of rendered audio a month
- Tracks up to 1 minute
- One render at a time
- One saved style persona
- Personal and evaluation use only
Two hours a month, stems, and the right to put it on air.
- 2 hours of rendered audio a month
- Tracks up to 4 minutes
- Two renders at a time
- Stem export: vocals, drums, bass and the rest
- Commercial use, including paid advertising
- 3 seats
A signal's worth of imaging, and an API for the automation to call.
- 10 hours of rendered audio a month
- Tracks up to 5 minutes
- Four renders at a time
- Stem export and commercial use
- Public API and keys
- 10 seats
For a cluster or an agency: several sets of call letters, one account.
- 40 hours of rendered audio a month
- Tracks up to 10 minutes
- Eight renders at a time
- Stem export and commercial use
- Public API and keys
- 50 seats
Prices are in USD, per workspace, per month. Nothing on this page is charged per seat or per song.
The upper tiers are named for the customers who typically need that many seconds, and neither one is restricted to broadcasters. What you buy above Creator is allowance, single track length, seats and the API, and none of those is gated on what kind of work you make. A podcast network on Station pays the same rate for the same second as the station it is named after.
Every paid tier carries commercial rights, advertising included. The free tier does not, and the file it hands you says so on the download rather than in a clause nobody read.
An allowance resets with the billing period. Credit on a workspace is a different thing: money that offsets an invoice and never expires. It is deliberately not shown as one number with the allowance, because a workspace holding credit and no seconds still cannot render.
The whole price list.
Billed seconds per second of audio. Lyric conditioning plus a vocal decoder.
The reference point everything else is measured against.
Per second of the track it separates. One pass, however many parts.
Flat. No GPU runs, so it is charged to be visible rather than to be priced.
A very short sweeper still boots the pipeline and loads the checkpoint.
A sung second costs 1.25 seconds of your allowance and an instrumental second costs 1. Stem export costs 0.75 per second of the track it separates, and writing lyrics costs a flat 5 seconds. Every render is billed at least 5 seconds.
Those rates are the whole price list. There is no per song fee, no per seat fee and no separate charge for the jingle surfaces: an advertiser spot and a track somebody made for fun cost the same per second, because they cost the GPU the same.
The same allowance, in the units you actually press.
| Piece | Length | Costs | Free | Creator | Station | Group |
|---|---|---|---|---|---|---|
Full length song Sung, at the Creator plan's own ceiling on one track. A plan that will not render something this long shows a dash rather than a count. | 4:00 | 300s | - | 24 | 120 | 480 |
Shotgun ID Sung. The most played piece of audio a station owns. | :10 | 13s | 46 | 553 | 2,769 | 11,076 |
Instrumental bed No vocals, under a voice read or a video. It costs the reference rate rather than the sung one. | 1:00 | 60s | 10 | 120 | 600 | 2,400 |
Sweeper Sung, into a song or into the news. | :15 | 19s | 31 | 378 | 1,894 | 7,578 |
Client spot Sung. An advertiser's jingle at the workhorse length. | :30 | 38s | 15 | 189 | 947 | 3,789 |
Extend a track Continuing something already finished. The seconds here are the ones you added, because extending never re-charges the original. | :30 | 38s | 15 | 189 | 947 | 3,789 |
Stem export One separation pass over a finished track, however many parts come back. | :30 | 23s | - | 313 | 1,565 | 6,260 |
Write a lyric No GPU runs. A flat charge, so the cost is visible on the meter. | - | 5s | 120 | 1,440 | 7,200 | 28,800 |
A dash is a plan that cannot do that piece at all rather than one that cannot afford it: stem export is a paid capability, and a track longer than the plan’s single track ceiling is refused before it costs anything. Mixing pieces spends the same allowance, so these columns are alternatives rather than a list of things you get.
Allowance, ceilings and rights, side by side.
| What | Free Free | Creator $19 | Station $79 | Group $249 |
|---|---|---|---|---|
Rendered audio a month The allowance, in seconds of finished audio. The unit everything else is measured in. | 10 minutes 600s | 2 hours 7,200s | 10 hours 36,000s | 40 hours 144,000s |
Longest single track A ceiling on one render rather than on the month, and the clamp on the studio's length control. | 1:00 | 4:00 | 5:00 | 10:00 |
Renders at once A real GPU limit rather than a throttle: generation holds a card for the length of the render. | 1 | 2 | 4 | 8 |
Saved style personas A persona is a saved style recipe, not a cloned voice. | 1 | 10 | 40 | 200 |
Stem export Vocals, drums, bass and the rest, for when the bed has to go under live talent or a narration track. | Not on this plan | Included | Included | Included |
Commercial use Including advertising you bill a client for, and anything else you sell, licence or monetise. The line that decides whether what you made is worth anything outside your own headphones. | Evaluation only | Included | Included | Included |
Public API and keys Key minting in the console, so your own tool, or a station's playout system, can ask for a track itself. | Not on this plan | Not on this plan | Included | Included |
Seats Members of the workspace, the owner included. | 1 | 3 | 10 | 50 |
The refusal happens before the engine is called, so a request that would go over does not render, does not store anything and does not cost you a second. A render that fails on our side is refunded rather than kept, because a failure produced nothing you can put on air.